In Beautiful World, Where Are You, the biggest obstacles aren’t material. They’re the barriers to connection and love the protagonists put in their own way.
Marianela D’Aprile is a writer in Chicago. She is a member of the Democratic Socialists of America’s National Political Committee.
Leos Carax’s Annette, starring Adam Driver and Marion Cotillard, is audacious. But the film thwarts its own truth-telling ambitions by refusing to put its characters’ inner turmoils in dialogue with anything but themselves.
Music gives tangible shape to the best and basest in all of us. Yet under capitalism, it’s just another commodity. That artists and critics continue making and writing about music despite the industry’s vampiric drive for profit shows our stubborn unwillingness to give up a key piece of our humanity.
I love Nora Ephron. The world needs more Nora Ephrons. There are potential Noras all around us — they, and we, deserve a society that supports and nourishes and encourages them.
Downtown Chicago’s wonderfully futuristic, bizarre Thompson Center integrates government, business, public art, affordable eating, and public protest space — and it’s currently in danger of demolition. The Thompson Center must be preserved; its architectural spirit is too interesting — and the public space it provides too exceptional — to discard.
In her new book, Tomorrow Sex Will Be Good Again, Katherine Angel insists on a basic point: changing the kind of bad and damaging sex that women all too often have in a sexist society can’t fall solely on individual women.
Most new architecture, like Amazon’s proposed new HQ, is hideous. That’s because it is made for corporations. Despite all the mistakes and brutalities of the Soviet experiment, at least their architecture was designed to serve the people instead.
In her new novel Fake Accounts, Lauren Oyler paints a bleak portrait of a social media–addled world saturated with loneliness and alienation. It’s incredibly accurate. But there must be a way out of the nightmarish social landscape she depicts.
A collective wail of anguish went up after news broke that Dolly Parton’s working-class anthem “9 to 5” has been repurposed for a Squarespace ad lauding “working, working, working.” Our grief is justified. But the song’s deformation into a hollow jingle says more about capitalism than Dolly.
Karen Nussbaum was a cofounder of the pioneering labor-feminist organization 9to5. In an interview with Jacobin, she discusses why working women in the 1970s needed to organize as workers, 9to5’s hilarious tactics, and why “individually self-reliant but collectively powerless” women workers today still need to organize on the job.
For today’s feminists, labor militants, and socialists, the vision of feminist labor organizing that guided the women’s white-collar organizing project 9to5 — and immortalized in the classic comedy 9 to 5 starring Jane Fonda, Lily Tomlin, and Dolly Parton — should still be our north star.
Go ahead, put on some of Belle and Sebastian’s “sad-bastard” music. It won’t cure all that ails you, but you might feel a little less alone — and a little more solidarity with everyone out there who’s suffering alongside you.
After its lower house of Congress voted yes earlier this month, Argentina’s upper house will vote tomorrow on legalizing abortion. The campaign could not have arrived at this point without years of mass feminist organizing in the streets.
Diego Maradona was a genius and a cheater, gregarious and despairing, a liar and an open book. Argentinians loved him as we loved ourselves: so much, not at all. And we hated him as you can only hate someone you truly love, someone who’s brought you so much joy, so many times, then ripped it away.
Our work lives are so fissured, our ability to survive requiring such constant and Herculean efforts, that even fantastical narratives portraying the hunt for a steady job as swirling, maddening, operatically dramatic, degrading, bizarre, and never-ending feel just as real as life itself.
Netflix announced the forthcoming movie adaptation of JD Vance’s reactionary, victim-blaming book Hillbilly Elegy yesterday. But why would anyone seek answers about life in Appalachia from a right-wing former venture capitalist, when they could put on a Dolly Parton record instead?
Chicago recently elected six socialists to its city council. One organizer explains how they won: by going after the real-estate developers that are gentrifying the city and pushing working-class Chicagoans out.
For all the Soviet Union’s faults, by traversing its vast architectural landscape, we can get a glimpse of what a built environment for the many, not the few, could look like.