At a time of widespread urban gentrification, Candyman suggests that the ghosts of the displaced won’t disappear so easily.
Leonard Pierce is a Chicago-based writer and editor. He is an organizer with the Democratic Socialists of America and studies the intersection of working-class politics and twentieth-century American culture.
The entrepreneurial reality show Shark Tank is saturated with the absurdity of twenty-first-century capitalism. But watching it, you can’t help but think about how its basic premise — helping ordinary people with extraordinary ideas implement them on a wide scale — could be carried out under socialism.
In the stiflingly reactionary cultural atmosphere of postwar America, most filmmakers didn’t talk much about class. But there was one significant exception: film noir was the most class-conscious genre of motion picture America has ever produced.