Thatcher’s great achievements were also what made her so vile. Her talents were harnessed to horrible ends.
If Django Unchained wants to capture the raw terror of slavery, why does it shy away from historical examples of black agency?
Occupy’s afterlife — a dispatch from New York’s dark zones.
There’s that song, the one about getting knocked down and then getting back up again, but their body of work is like an iceberg; the bulk of it is submerged below the surface, difficult to get a hold of.
This is not a manifesto. Manifestos provide a glimpse of a world to come and also call into being the subject, who although now only a specter must materialize to become the agent of change.